Fiona Pardington: The Pressure Of Sunlight Falling

Description

European explorers of the Pacific in the 18th and early 19th centuries faced a problem - how to describe the people they met and report what they had seen and found. From Cook onwards, a serious expedition included artists and scientists in its ship's company. An ambitious journey of the 19th century was the third voyage of the French explorer Dumont d'Urville, from 1837 to 1840. It was just before the invention of photography, when phrenology, the study of people's skulls, was the latest thing. D'Urville chose to take on the voyage an eminent phrenologist, Pierre-Marie Dumoutier, to preserve likenesses of people by making life casts. When the expedition returned to France, the casts were displayed, and later stored in the Musee de l'Homme in Paris, to be joined eventually by other casts from Dumoutier's collection, including those of the d'Urville and Dumoutier families. All were overtaken by photography and history. Fiona Pardington first learnt of the life casts in 2007, when a chance conversation initiated a four-year project. It took her from Auckland to the Musee de l'Homme, as she researched and photographed some of more than fifty casts of Maori, Pacific and European heads, including casts of her Ngai Tahu ancestors. This book publishes these photographs and coincides with the opening of a major travelling exhibition. The photographs are extraordinarily beautiful, evocative and spiritually powerful images. They recover likenesses and revive the life force of Dumoutier's subjects, eliciting our empathy and fascination with a world we can never really know. This is a rich and engaging book. With essays by leading scholars in Pacific history, art and photography, on subjects as diverse as phrenology and cast-making, the voyage, and the identity of the Maori casts, it will appeal to anyone interested in nineteenth-century encounters between voyagers and the peoples of the Pacific, or contemporary art and photography.

Author description

A photographer of international reputation, Pardington has exhibited widely in Australasia and in France at the Musee du Quai Branly. A selection from this series was included in the 2010 Biennale of Sydney. Dr Kriselle Baker is a freelance writer and curator. She is the author of The Desire of the Line: Ralph Hotere Figurative Works (Auckland, 2005) and, with Vincent O'Sullivan, Ralph Hotere (Auckland, 2008). Prof. Elizabeth Rankin teaches Art History at Auckland University. Previously professor at the University of Witwatersrand, Johannesburg, her writing has focused on retrieving the histories of neglected South African artists, and on sculptors and printmakers internationally.

Table of contents

Foreword; In search of the present: Fiona Pardington's Ahua; Embossing the abyss: the work of Fiona Pardington; The truth of lineage: time and ta moko; Moulages du temps perdu: a voyage and its relics; Dumoutier's artifacts: a distant glimmer of ghosts; Facing difference: casts as document and display; Documents, specimens, portraits: Dumoutier's Oceanic casts; He ahua tipuna: faces of the ancestors; Et la tete: casting heads in the Pacific.