The Divine Comedy is a classic of Western literature, and this unique version appeals to both those who know it intimately, and those who want an introduction. Think you don't know Seymour Chwast? Think again. His award-winning and ubiquitous illustrations have appeared on the covers of the New Yorker and pages of the New York Times. He was inducted into the Art Directors Hall of Fame in1983. Like Logicomix and The Book of Genesis by R. Crumb, this epic work of art is irresistable and inventive, and guaranteed to attract attention.

'Dante + Seymour = Heaven' Maira Kalman, author of The Principles of Uncertainty 'Seymour's take on this timeless classic is not only charming and clever, it is so cannily rendered that it makes Dante's complex masterwork easily understood for any reader. Divine' Chip Kidd, author of The Cheese Monkeys 'I have to say, seen through Seymour Chwast's eyes, Hell doesn't look so bad. I'm almost looking forward to floating in pools of excrement or being tossed about carelessly by furious winds. Seymour Chwast has put the comedy back into the divine in this fiendishly heavenly extravaganza' Marian Bantjes, graphic artist 'Seymour Chwast! Oh, how I hate him! He's already the top artist! He's already the top designer! Now he's gonna be the top graphic novelist! Seymour Chwast can go to Hell!' Craig Yoe, author of The Art of Steve Ditko

Seymour Chwast was born in New York City and is a graduate of The Cooper Union, where he studied illustration and graphic design. He worked as a junior designer in the advertising department of the New York Times, then for House and Garden and Glamour magazines. He is a founding partner of the celebrated Push Pin Studios, whose distinct style has had a worldwide influence on contemporary visual communications. In 1985 the studio's name was changed to the Pushpin Group, of which Mr. Chwast is the director. He received the AIGA (American Institute of Graphic Arts) Medal in 1985, was inducted into the Art Directors Hall of fame and has an honorary Ph.D in Fine Art from the Parsons School of Design. His work is in the collection of the Museum of Modern Art, the Metropolitan Museum of Art and other major museums around the world. He was a visiting lecturer at art schools in New York and vice-president of the American Institute of Graphic Arts (1974-8), New York.